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Authored onBody
I was walking down a crowded sidewalk, running over the new song we were going to rehearse later on. I had to take a right to the studio, which disrupted the stride of someone behind me.
They sighed a huge sigh, and that made me slightly forget the song for rehearsal. That pissed me off, which made me completely forget the song.
So I let the sigh of some random person who could’ve been having the worst day ever, unrelated to me, make me forget going to play drums.
Not worth it.
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Authored onBody
Rehearsal today, and I am coming in with a triplet beat to share [1]. I discover a lot of new beats to bring to rehearsal by learning from the past. Not copying the past. Learning from the past.
If I study some old technique, beat, idea, or pattern on drums, the same pattern occurs at practice when I am alone. I try to learn some old beat or fill as is, getting to about 50-75% close to it. Then my style gets antsy and wants some attention. I combine what I am trying to figure out with what I usually do, and it becomes a new thing I can do in my playing.
It happened that way with linear drumming. It happened that way when I tried to learn jazz drumming. It happens that way when I try to learn some legendary old beat.
Not being able to learn a beat completely isn't a fail. Coming out of a rehearsal understanding the idea or concept behind a beat is a huge win.
I can't play the half-time shuffle in the song "Fool in the Rain" note for note. My ghost notes noticeably leveled up from the fifteen minutes I sunk into figuring out the pattern. That's a huge win.
[1]: RLR LRL (RLR is floor tom. LRL is on snare)
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